Do you have a fear of giving up the rights to your music? By being a non-exclusive music library, it's obviously easier to grow your music library quickly. Just think of us as another arrow in your quiver. In the rest of this post, I will explain the essentials (exclusive versus non-exclusive deals, synch fees versus performance royalties, the role of music libraries, etc.) Research Music Libraries. Today, as a rule, it’s a very different story. Licensing music for use in television, movies, ads, radio, video games, digital apps, websites, ect, gives you that much needed income so you can continue to finance your additional music goals. Want to Learn How to Successfully License Your Music to TV and FILM? Now, as the songwriter, you’re still going to get paid your portion for the songwriting, so you may think, "Who cares? All their royalty-free tracks are handpicked by music industry experts. Come On Down! This is why many musicians initially decide to work with a non-exclusive music library instead of an exclusive one. That’s it. TRANSFORM from STARVING ARTIST to SUCCESSFUL MUSICIAN! Whereas other libraries claim to be royalty free then require you to report usage and pay performance royalties, Epidemic Sound includes everything; packaging all the legal rights you could need into one simple license. This can make high-end clients reluctant to use non-exclusive music. What production music libraries work best for your style of music? No. Well, it starts with the quality of the catalog. But the main idea with the non-exclusive ones would basically be... well, you go to some of them and listen to some of the tracks and some of them don't sound very good. What’s going to happen is Company A will receive a royalty for the publishing on a placement they never secured, while Company B will be chasing after a royalty they should have received, but didn’t. If my music becomes available through Bedtracks, can I submit music to other music licensing companies? Generally speaking, a non-exclusive library will take your song, re-title it, and administer the rights to the re-titled version of your song. This allows you to retain the full rights to your originally titled song. And reasonable composer's share of course from the syncs. Please only submit music tracks that: Have not been placed in any media productions before, AND; Have never been re-titled or placed in a non-exclusive library; If your music fits this description, we are happy to take a … To be clear, they are administering the EXACT SAME RECORDING, just under a different title. Well, I suppose I wouldn't mind an exclusive library at some point, either. Libraries often promote exclusive music over non-exclusive music. Often there is no quality control regarding what gets added to those catalogs, and I’d encourage you, if you’re interested in working with some non-exclusives, before you sign up, take some time and listen to the music they represent. Original, vintage Country songs with male or female vocals that were recorded between 1940 and 1979 are needed by a Non-Exclusive Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials. Composers and songwriters who want to submit music should follow the following guidelines. I would try both. So I'm thinking I might get something in that stands out, with relative ease. The whole process has reduced to a few words of text, and a bunch of hyperlinks. September 30, 2020. by Music Connection. Our deal is non-exclusive, and we encourage musicians to take advantage of as many chances to pay off that Gretsch you still have 198 payments left on. I greatly appreciate your help. We maintain a list of friendly and helpful re-title non-exclusive libraries to whom we refer new customers who may be better suited by the non-exclusive business model, just send us an email. In time you will build up a catalog that should generate a nice income stream. should you sign with a non-exclusive retitled library? Can be libraries without royalties. When you run a search by using our HyperSearch, Instant Search, or by Mood or Style, once the tracks come up, you can sort by “Exclusive First” to see over 115,000 Exclusive tracks available only on our site. Remember, same exact recording, just different titles…. Non-exclusive means that you can pitch the same tracks that you have with us to other companies, while exclusive means that those tracks would be exclusive to Directional Music. If we can use your music it will be available on MediaMusicNow (or any other sites we own and sell licenses from). In this video I talk about my thoughts on Non-Exclusivity in music libraries. What type of music do you do? If you work with just one non-exclusive company to administer your music, then you probably won’t run into any issues, but here’s the problem… most people won’t. I've thought of creating some library music for TV etc to hopefully get some extra income and eventually a trickle of PRO royalties going on. I'm curious why non-exclusive? Make sure there is a term-limit (3 years is fair), and be clear on the reversion clause. Find out what's the best option for your music career. You don’t get a meeting. June 24, 2012. Original, vintage Country songs with male or female vocals that were recorded between 1940 and 1979 are needed by a Non-Exclusive Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials. Let’s say Company B secures a placement (Sunny Skies), however, for some reason the audio recognition software recognizes it as the version administered by Company A (Blue Skies). Hands-on, personal approach to finding music. them away. They're non-exclusive and they get a lot of good placements for TV, film, good synch fees and they file for PRO royalties correctly. I have a few trailer placements from different styles, so hybrid orchestral, electronic, synth, industrial etc... but for this library/libraries I'm looking for I was thinking of making most likely some ambient/suspense/"general TV" tracks for starters. 6. What might be the best libraries to submit to? You may find that you don't want to associate your music with the quality of those catalogs. “Non-exclusive” deals allow you the freedom to work with whomever you want, but companies offering these deals are typically larger than an exclusive library and your content may have a harder time finding the spotlight. I sign that song to a non-exclusive library, and they re-title the song Blue Skies. We only take non-exclusive music where it fills a gap in our library or if the quality blows us away. Thank you. Vintage Country Songs Needed by a Non-Exclusive Music Library. License Lab: Exclusive licensed music, smaller selection of high-quality tunes, not royalty free. No problem. What have your experiences been with exclusive and/or non-exclusive libraries? Good points: Once you’ve set up your tracks in music libraries (under non-exclusive deals, you can upload your catalogue in multiple libraries), the income you get from these platforms is passive. Hi, I've thought of creating some library music for TV etc to hopefully get some extra income and eventually a trickle of PRO royalties going on. Hands-off. The best place for when you want music for audio and audio-visual productions. Non-exclusive libraries are facing rising technical problems caused by the growth of automatic tune-recognition software which scans broadcasts and Internet videos and creates clashes between rival claims over the same music. If you are serious about creating a long-term income, and long-term career through licensing, it's been my experience that you really have to go the exclusive route. Get the facts before you decide. They are very selective and pitch to specific opportunities. With non-exclusive music libraries a composer gives the same piece of music to numerous music libraries, in effect "spreading their bet". 5. BUT I want to focus my attention on getting you to actually start DOING something! Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. There is some basic understanding of publishing and contracts that's required, but this is, after all, your business and career. This allows you to retain 100% of the publishing on Sunny Day. For many of us, our songs are our babies, and we don't want to just give them away. (We get paid by our clients to source and license music for them.) Want Your Songs to be Heard by Millions AND Generate a Consistent Income? It is also important that they do not generate any type of Content ID (fingerprint or trace music). I think most of them have pretty specific styles. These non-exclusive music libraries usually re-title the track name, so it is harder to trace how many libraries a single piece of music may be in. They’ll often start working with a second non-exclusive library, who will take the exact same song and re-title it Sunny Skies. There are no inconsistencies in licensing fees. We believe in the significant benefits for our clients provided by exclusivity in licensed music. You!! Generally speaking, a non-exclusive library will take your song, re-title it, and administer the rights to the re-titled version of your song. Soundware news. Non-exclusives, while perhaps more consistent, might place in much lower-budget and smaller projects. This is why many musicians initially decide to work with a non-exclusive music library instead of an exclusive one. You now have two different companies, as well as yourself, pitching the same exact recording, but under three different titles: These days we have audio recognition technology that can listen to a song and determine what, and whose, it is. Any recommendations? You can register with as many non-exclusive entities that you like, you can get 3rd party PR representation, and you can shop your music to agency producers and TV/Film supervisors yourself. Unlike some other libraries, we do not require you to sign over the copyright and master to your songs in order to become exclusive. Selected music will be available on MediaMusicNow (and any other sites we own and sell licenses from). Tunefruit: A fun, fresh music marketplace for online video with convenient searching by popular genres and tags. This is where working with multiple non-exclusives can turn into a big mess…. Let them deal with it.” But ultimately Company A is getting paid for something they didn’t do, while Company B is going to be looking for the money that they’re owed… Guess who will find themselves in the middle of this conundrum? Non-Exclusive. If you're concerned that an exclusive library will own the publishing of your music forever, simply pay attention to the contract. Some libraries say you can submit music to them non-exclusively. This is totally understandable. What might be the best libraries to submit to? Many non-exclusive companies have websites that allow just about anyone to ‘sign up’ for an account and upload their music for inclusion in the catalog. We generally don't take a piece of license fees, so 100% come to you. Good point! HOLLYWOOD (US & CANADA HEADQUARTERS) • 6255 W Sunset Blvd Ste 900, Hollywood, CA 90028 • P 323.461.3211 • Fax 323.461.9102 If you work with just one non-exclusive company to administer your music, then you probably won’t run into any issues, but here’s the problem… most people won’t. Non-exclusive production music libraries enable a composer to sign a non-exclusive agreement allowing the artist to license the same piece to other libraries and clients with the same non-exclusive agreement. Many composers and songwriters are lately being offered what seems like a deal too good to pass up: get film/TV placements of their music and a share of sync fees from non-exclusive distributors while retaining 100% of their copyrights. 7. Do you have a fear of giving up the rights to your music? List of high end music libraries. On top of this, again generally speaking, non-exclusive licenses don’t generate the higher dollar placements that exclusives do. This allows you to retain the full rights to your originally titled song. They’re looking for authentic recordings in All Tempos that might fit well on a playlist with the following references: There are many other opportunities in the music licensing world but they … Let me give you an example: HOW NON-EXCLUSIVES WORK… Let’s say I have a song called Sunny Day. And you certainly don’t get invited for a drink in the pub afterwards if the meeting went well!What you do get to do, is to send an email. This is a very quick and easy way to upset the companies repping your music, and destroy their desire to continue working with you. Accountable. Confused? Zdravko Djordjevic. Blimey, what a change!But the fundam… Let’s say I have a song called Sunny Day. What's the best music library to get started? Option 2: Placing your catalogue in music libraries . What’s going to happen is Company A will receive a royalty for the publishing on a placement they never secured, while Company B will be chasing after a royalty, Now, as the songwriter, you’re still going to get paid your portion for the songwriting, so you may think, "Who cares? You may submit tracks that have already been placed elsewhere as examples, but they require exclusivity on all tracks added to their library. You don’t have to look sharp, or have a shave, or buy a return trip to London. Exclusive Contracts vs. Non-Exclusive Contracts with Music Libraries Posted by mazz on Wednesday, April 14th 2010 This topic has been coming up a lot lately and also I had the opportunity to hear about this from some of the bigger libraries recently and thought I’d weigh in on it. To be clear, they are administering the EXACT SAME RECORDING, just under a different title. You will also need a lot of material. It's easier to focus marketing and promotional efforts to one source. 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